FW: What Is It About Montana
Fred A. Leistiko
Airport Manager
City of Kalispell
P.O. Box 1997
Kalispell, MT 59903
406-250-3065
From: Terry Mitton
Sent: Friday, April 30, 2010 11:55 AM
To: Directors
Subject: What Is It About Montana
An interesting article!
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Building a brand
What Is It About Montana?
The Big Sky State is promoting its creative economy. Why isn't Idaho?
By Guest Writer, 4-26-10
A few years ago North Dakota erected some clever signs at its border
with Montana. One sign advised anyone headed west to remember what
happened to a certain long haired cavalry commander who left North
Dakota in 1876 and ended up in a sorry state on the banks of the Little
Big Horn in Montana.
With all due respect to North Dakota, given a choice, does Montana sound
like a lot more interesting place - to visit, to live, to work?
George Custer didn't live to contemplate what I think of, and many
others think of, as the allure of Montana. It has always fascinated me
that the land of the Big Sky has a certain "brand" that states like
Idaho, Wyoming and Colorado - not to mention North Dakota - never seem
able to match. Maybe it's because Montana has been building the brand
since that fateful day in June of 1876 when the tourist from North
Dakota misjudged his welcoming committee.
I got to thinking about what the Montana "brand" means to the economics
and, perhaps more importantly, the image of the state while reflecting
on two recent pieces of information.
The first was a program at Boise's City Club a while back that focused
on the "creative economy," often identified as the critical mass in an
area of artists, cultural non-profits and cutting edge businesses. Among
the laments before the City Club was that 30-to 45-year olds are in
danger of - or actually are - picking up and leaving Idaho, while an
emphasis on developing home-grown entrepreneurs is waning.
When I first came to Idaho nearly 35 years ago, the Boise economy was
largely defined by three amazing, home grown success stories. Harry
Morrison had started his construction company - Morrison-Knudsen - in
Idaho and shaped t into a world-wide powerhouse that pushed the dirt and
poured the concrete to construct Hoover Dam and built a good deal of the
American military infrastructure in South Vietnam, among many other big
projects. In much the same time frame, Boise Cascade went from a small
regional timber products concern to a major national player in the wood
and paper industry. Joe Albertson pioneered the modern super market from
the ground up with his first store in Boise's North End and went on to
build a national brand.
All three of those home-grown companies are still around, but in much
different form than just a few years ago and none has the power or
influence in the local economy that the old M-K, the old Boise Cascade
and the old Albertsons had. The transformation of those three companies
makes one wonder where the next great home-grown business will come
from? I wonder particularly were the next great business will come from
if we're failing short, as many smart folks think we are, in encouraging
a "creative economy."
I know a handful of smart and aggressive young Idaho entrepreneurs in
the high tech world Idaho, but many of them will tell you they fear
Idaho may not be the place where a new Micron, the last really big
home-grown business, gets its start. The outlook is cloudy for a number
of reasons.
Idaho has whacked its support for education at every level over the last
two years. College is costing more and more and we don't seem to be
producing the workforce we need for a 21st Century economy. Idaho high
school dropout rates and the number of young kids headed to
post-secondary education is abysmal. As the Idaho Statesman reported
yesterday the dropout numbers may be even more dismal - by double - than
previously thought.
Bob Lokken, who built a successful high tech business in Boise and sold
it to Microsoft, asked at that recent City Club event, "What if we took
all the money we spend on K through 12 and create an information-age
school system, not one that continues to make a labor pool for an
industrial-age economy?" Good idea, but Idaho hasn't even had a serious
debate about what kind of education system we want - or need - for more
than a decade. Building a 21st Century creative economy without a
genuine strategy - a strategy that really engages the education
establishment, business and those young entrepreneurs - is a bound to be
about as successful as Custer's trip into Montana. So, Idaho's creative
economy seems, at best, stuck in neutral.
Which brings me back to the Big Sky state and the second data point. The
data came to me in the form of a special four page advertising section
on - you got it - Montana that appeared recently in The New Yorker
magazine. Before you dismiss an advertisement about Montana in the
elitist New Yorker as self-serving fluff, consider the Montana message.
The Montana advertisement - really more an essay than an ad - was all
about the creative economy. The piece quotes 20-year Montana resident
Walter Kirn - he wrote the novel that became the hit movie Up in the Air
- and Alex Smith, a film director, who will be making a film this summer
based on a novel by Jim Welch - another Montanan - about life on an
Indian reservation.
Montana officials say the piece was aimed primarily at encouraging
tourism, but I think it works on a deeper level. It says, in effect:
Montana values creativity, smart people like it here and we welcome such
things.
The ad, or whatever it is, continues: "Montana captivates the
imagination of remarkably imaginative people - writers, yes, but actors,
directors, musicians, painters, sculptors - not because of what's so
obviously here or not here. Rather, creative people keep finding
themselves amid unplanned moments of clarity that resound through their
lives."
That, my friends, is the language of brand building; not to mention the
language of a creative economy of the 21st Century.
The Montana New Yorker piece ends with "few states have their own
literature; Montana's runs broad and deep, reaching far beyond familiar
titles like the Big Sky, The Horse Whisperer and A River Runs Through It
and into the lives of its people."
Any ad guy, particularly one with a well-considered point of view, sort
of like Don Draper in Mad Men, will tell you that a brand can't last if
its built on spin. It must be authentic and it must be true. Montana, I
think, has an authentic brand.
Like Idaho and most other states, Montana also has big troubles with
budgets, schools are hurting. What might be different, and it might
explain why Montana is perceived differently - why the brand works - is
that deep down in the land of the Big Sky they get the fact that
captivating the imagination of deeply creative people is the economic
road map into the 21st Century.
Marc Johnson is president of Gallatin Public Affairs in Boise.
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